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Peter Fenves |
| Director of Graduate Study |
| Comparative Literature |
| Northwestern University |
| Crowe Hall, Room 1-117 |
| Evanston, IL 60208-2206 |
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Program DescriptionComparative Literary Studies (CLS) is unique among humanistic disciplines in that it has no subject-matter that can be predetermined. As its name indicates, its area of study encompasses “literature,” but unlike other literary disciplines the objects it investigates are not situated in any one “national” tradition or any one “natural” language. Rather, its boundary is defined by the plurality and diversity of differing cultural and linguistic traditions. In respect to such differences, the “comparisons” pursued in CLS do not primarily strive to establish “parity” between what is being compared, but rather explore problems that develop across different language-traditions and emerge out of their interaction.
Since such problems encompass the literatures of diverse cultures and traditions, they are determined first and foremost not simply by language, but by linguistic diversity. Moreover, the literary dimension of this diversity defines it as not just inter-linguistic but also and perhaps above all as intra-linguistic. Thus, for CLS, “natural” or “national” languages are never homogeneous or self-identical: beyond their divisions into “dialects” and idiolects of all sorts, they are divided intrinsically and constitutively by their signifying function, which at the same time also opens them to interaction with other signifying media.
Its tradition of close textual reading places comparative literary studies in a unique position to interact with developing studies of non-verbal media. What CLS has to contribute to media studies generally is its accumulated experience in the interpretation of signifying processes as they operate discursively. What it has to learn from non-literary media studies and other disciplines is how these processes operate in other discursive contexts and in non-discursive media.
Students in this program are also encouraged to participate in TGS’s Interdisciplinary Initiative program. For more information on how you can have a second intellectual “home” outside of your department or program please visit the Interdisciplinary Initiative page.
Faculty The primary appointment for those faculty with joint or affiliate status in another program is noted in parentheses.
| Professors: |
Tracy Cecile Davis (Theatre), Penelope Lisa Deutscher (Philosophy), Peter D. Fenves (German Literature & Critical Thought), William Reginald Gibbons Jr. (English), Michal Peled Ginsburg (French & Italian), Lucille Kerr (Spanish & Portuguese), Martin Mueller (English), Barbara Jane Newman (English), Rainer Rumold (German Literature & Critical Thought), Samuel Weber (German Literature & Critical Thought) |
| Associate Professors: |
Linda P. Austern (Music), Clare A. Cavanagh (Slavic Languages & Literatures), Jorge F. Coronado (Spanish & Portuguese), Scott P. Durham (French & Italian), Brian T. Edwards (English), Susannah Gottlieb (English), Ilya Kutik (Slavic Languages & Literatures), Jules D. Law (English), Phyllis I. Lyons (African & Asian Lang), Marcus G. Moseley (German Literature & Critical Thought), Susan Mcreynolds Oddo (Slavic Languages & Literatures), Susan E. Phillips (English), Nasrin Qader (French & Italian), Alexander G. Weheliye (English), William N. West (English) |
| Assistant Professors: |
Christopher Paul Bush (French & Italian), Marianne I. Hopman (Classics), Jorg Kreienbrock (German Literature & Critical Thought), Yari M. Perez Marin (Spanish & Portuguese), Vivasvan Soni (English), Domietta Torlasco (French & Italian), Maria Alejandra Uslenghi (Spanish & Portuguese) |
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